The Thirteenth Hour Podcast #64: Audio Recording and Editing with a Minimum of Gear Part 2

Episode #64: A Behind the Scenes Look at How the Soundtrack Was Created – Recording  and Editing Audio Cheaply and Simply (2 of 2)

https://archive.org/download/Podcast64_201610/Podcast%2064.mp3

Happy Halloween!

In today’s episode, we’re going to talk about what to do with that audio file we made last week in episode #63.  Most of today’s episode discusses the use of the program Audacity, which is free and relatively easy to use.  But just because it’s free doesn’t mean you can’t use it to polish your audio track into something that is CD-worthy.  It does take some fiddling and trial and error (as all these kinds of things do), but after awhile, it gets kind of rote, and the process goes a whole lot quicker.

Here’s a link to an article I did on podcasting that may be helpful.   There’s a link to download Audacity there as well as a lot of helpful links to tutorials that discuss audio editing.  We go over some of that here, but many of the tutorials (done by people who know much more than me!) go into more detail.

As always, thanks for listening!

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  • QR code email signup Signup for the mailing list for a free special edition podcast, demo copy of The Thirteenth Hour, and access to the new upcoming retro 80s soundtrack!
  • Follow The Thirteenth Hour’s instagram pages: @the13thhr and@the13thhr.ost for your daily weekday dose of ninjas, martial arts bits, archery, flips, breakdancing action figures, fantasy art, 80s music, movies, and occasional pictures or songs from The Thirteenth Hour books.
  • Free online streaming of the growing Thirteenth Hour soundtrack: https://joshuablum.bandcamp.com/  Stay tuned to a full 45+ min album coming 11/13/16.  Join the mailing list for a free copy.
  • Website: https://13thhr.wordpress.com
  • Book trailer: http://bit.ly/1VhJhXY
  • Interested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!

The Thirteenth Hour Podcast #63: Audio Recording and Editing with a Minimum of Gear Part 1

Episode #63: A Behind the Scenes Look at How the Soundtrack Was Created – Recording and Editing Audio Cheaply and Simply (1 of 2)

https://archive.org/download/Podcast64_201610/Podcast%2063.mp3

Today, we’re going to talk about how to audio record music with a minimum of fuss and equipment.  I used these methods to create the audio tracks for The Thirteenth Hour soundtrack, Long Ago Not So Far Away, and I certainly didn’t spend a lot of money (although, if time is money then, well …)

In any event, I used a combination of recording and editing equipment many people have (smartphone and computer – both aging at this point) as well as an old keyboard and 2 guitars.  There are some videos of the keyboard and, I think, the electric guitar on Instagram, and you can see for yourself that they’re nothing fancy.  So I think if this is something you’re interested in, don’t necessarily let the lack of money or equipment scare you off.

In this episode, I’ll talk a little about how all this worked and how you might be able to do something similar if you’re interested, culminating in a digital audio file you can then edit on a computer.  Part 2 (next week) will focus on editing that file to make it sound professional.

Here’s a link to an article I did on podcasting that may be helpful.   There’s a link to the free recording and editing program Audacity there as well as a lot of helpful links to tutorials that discuss audio recording and editing.

As always, thanks for listening!

∞∞∞∞∞∞∞∞

  • QR code email signup Signup for the mailing list for a free special edition podcast, demo copy of The Thirteenth Hour, and access to the new upcoming retro 80s soundtrack!
  • Follow The Thirteenth Hour’s instagram pages: @the13thhr and@the13thhr.ost for your daily weekday dose of ninjas, martial arts bits, archery, flips, breakdancing action figures, fantasy art, 80s music, movies, and occasional pictures or songs from The Thirteenth Hour books.
  • Free online streaming of the growing Thirteenth Hour soundtrack: https://joshuablum.bandcamp.com/  Stay tuned to a full 45+ min album coming 11/13/16.  Join the mailing list for a free copy.
  • Website: https://13thhr.wordpress.com
  • Book trailer: http://bit.ly/1VhJhXY
  • Interested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!

The Thirteenth Hour Podcast #21: Special Edition

Episode #21: Special Edition for the Third Edition Launch

https://archive.org/download/13thHrEps16On/13th%20hr%2021.mp3

Today is another special edition of this podcast, discussing the upcoming launch of the 3rd edition of The Thirteenth Hour (special editions are longer – this one is 30 minutes – and less frequent; the other special edition is the episode on A Shadow in the Moonlight for subscribers of the mailing list – see link below for free access).

The following links are referenced in the episode.  i.e.:

-Talking about how the book came to be in print (unofficially) as early as 1998:

https://13thhr.wordpress.com/2015/07/01/the-evolution-of-the-thirteenth-hour-in-print/

-Illustration updates to this newest edition: 

https://13thhr.wordpress.com/2015/10/11/the-evolution-of-a-thirteenth-hour-illustration/

Like the above link, here are a similar progression of images showing the creation of an image (this time of King Darian) from sketch to computer edited image:

darian 1darian 2darian 3darian meme

-The saga of cover creation:

https://13thhr.wordpress.com/2015/09/27/work-in-progress-new-thirteenth-hour-drawing/

https://13thhr.wordpress.com/2015/11/21/whats-in-a-cover/

-And what you can do to personally support the launch:

https://13thhr.wordpress.com/2015/11/21/help-support-the-thirteenth-hour/

-Other ways to get a sample of the book and see if the writing style is to your taste:

->download a sample on amazon

->download a free copy of the prequel, A Shadow in the Moonlight, on Smashwords or Amazon

->download a free copy of the standalone short story, “Falling Leaves Don’t Weep” (may contain vague, obtuse spoilers) on Smashwords

->email me for a sample chapter @ writejoshuablum@gmail.com

->email me @ writejoshuablum@gmail.com if you’d like to review the book – you get a gift copy for free.

->download the first 15 episodes of this podcast on itunes (granted, an earlier draft of the book, but it’s all there, start to finish).

So, lots of ways!  Best wishes for the new year!

As always, thanks for listening!

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thunderclap 13th hr picture_edited-1

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The Thirteenth Hour is Getting Patched!

After a long week of editing, I’m relieved and proud to say that the second edition of The Thirteenth Hour should be live in the next few days.  Naturally, after I had finished the first edition, I ended up going through and finding a number of areas that I wanted to change.  I also wanted to incorporate some suggestions I’d received from people who were kind enough to read the book early on.

While important, most were not very interesting to write about at length (unless you like formatting and editing documents) – some areas where the spacing wasn’t quite right, a few areas with missing words, some sections that needed to be edited for brevity and/or internal consistency, and a bunch of grammatical corrections to make sure tense, number, and punctuation were as correct as I could get them.  I ended up doing two simultaneous edits – one for Kindle and another for the printed Createspace edition, which had different formatting.

It was a very tedious process, but I did learn something that will be helpful in the future. I discovered that I can’t catch little mistakes like this on a computer screen.  Despite trying to train myself to do more and more on a computer screen in order to save some trees, there’s nothing like paper.  So, I sacrificed one of my printed books to mark up.  There seems to be something about old fashioned paper and red marker that really brings out the crud (even more so than reading out loud, a previous editing trick I tried).  I guess I’m old school in that way.

I did a few tweaks to the pictures as well, including drawing two new pictures to the previously blank “Part 1” and “Part 2” pages of the first edition, like this one of Logan zooming up, up, and away on his flying hoverboard, Lightning.

logan lightning part2 pic

There was a picture I omitted from the first edition because something about it didn’t quite look right.  Like the picture above, I was aiming for a silhouette, like an old woodcut or illustration you might see in a children’s book from the 1950s.  It was of the two main characters, Aurora and Logan, and Aurora is kissing Logan goodbye as he leaves the orphanage they grew up in for the Army.  In this part of the book, Logan hasn’t quite hit his last growth spurt yet and is still shorter than Aurora.  He ends up growing a lot over the next year and a half, but in the original drawing (c. 1998, on the left below), I always thought I drew him too small to be believable given his age, and he seems a little too stiff, like he’s on trial or something.  So for the updated 2015 version (on the right), I made him a bit taller, but more slouched and ganglier, less confident.  He’s the same guy who later becomes the daring flying man in the picture above, so he eventually fills out in body and spirit, but at this point in the story, he’s still more boy and man, which is what I was trying to convey all along.

Angels voices part 1 picture comparisonSo this was the fun part of editing.  Hopefully, people who purchased the original on Kindle will be able to re-sync their devices and get the new updates, just like a software patch for a game.  I’m still learning how Amazon does this myself, but they discuss it on their Kindle publishing page.  I’ll be looking forward to seeing them in person myself!

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The Thirteenth Hour Audiobook (sort of)

A teacher once told me (actually, there were probably several) that reading your work aloud is the ultimate test.  If it sounds lousy or awkward when you’re reading it aloud, particularly in front of people, then go back and edit it until you can stand behind what you’ve written.  So, I figured I would do that while editing The Thirteenth Hour.  I ended up reading it aloud into a microphone connected to a computer, which recorded the files digitally, generally in ~60 minute chunks.  There ended up being about 14 hours of audio from start to finish.

Sometimes, I was reading it alone, just for the purposes of catching grammatical errors, but many other times, I had my infant daughter on my lap.  All the research my wife and I read about infant language development seemed to say that one of the most important things you could do is expose their little brains to language – either by reading to them and/or talking directly to them.  It didn’t seem to matter so much what you were saying; the more important thing seemed to be actually talking or reading to your child.  So I figured I’d do both at the same time.  (You might be able to hear some of her baby noises in the background on some of the files; don’t worry, I cut out the crying/fussing and kept the cooing/gurgling).

I’ve never involved in acting, MCing, or radio, so it was a little harder than I thought to just read the manuscript coherently without making mistakes.  But it was a fun project, and it served its purpose.  The text underwent more revisions after I read it (sometimes there a short break in the reading while I edit something), so it reads like a beta version of the story.  There are some parts that are obviously not in the reading, like all the pictures and the supplemental material at the end, but the story that read is about 95% of what’s in the final version.

If you’d like to stream a sample off the web to see what the story’s all about, you can here.

If you’d like to download the files instead (all in .mp3 128 kbps format, all around 60 min, most around 50 MB), you can find them all in this google drive.

Stay tuned for how to get them on itunes.

Writing the Main Characters

My brother once asked me if the characters in The Thirteenth Hour were based on myself. I don’t think so, at least not on purpose. I suppose every writer injects some of himself in the characters that he creates, but I didn’t set out to do this consciously, although I no doubt suspect that there were plenty of unconscious contributions.

The character of Logan was somebody I envisioned as being unassuming and initially kind of naive, not yet possessing the confidence that comes from having more experience in life. Despite losing his parents at a young age, I want to portray the rest of his childhood in as secure a way as possible. I think there’s sometimes a stereotype to portray institutions like orphanages as evil, bureaucratic places that are understaffed, underfunded, and poorly run. And while there are no doubt some places like that, I wanted to paint a better picture for Logan’s childhood environment in order to give him the kind of consistent, safe, caring support that I thought he’d need to equip him for the challenges that he would face in the story. I also wanted him to be someone that spoke to the reader in an honest, sometimes irreverent way, kind of like an adult who’s looking back on his life but has a good idea what it still is like to be a kid (although I didn’t specifically think of it at the time, the narrators from The Wonder Years, Stand By Me, and The Christmas Story do this quite well). I thought it important that he not take himself too seriously, because let’s face it, there are a lot of lousy, humiliating things that happen to everyone when they’re kids that seem a lot funnier years later.

If you’ve read the book, you know that the Logan narrates the majority of the story interspersed by sections told by Aurora. She was not based on anyone in particular, but rather a compilation of characteristics that I thought would make her an interesting independent character yet a good friend and partner to Logan. The creation of young adult female characters has always seemed a bit more loaded than the creation of their male counterparts. I’ve often gotten the impression that some authors write their female characters with some kind of agenda in mind; instead of it just being a story about a human that happens to be female, it’s a story about a woman who is strong, or a woman who is not strong, or a woman who is not strong and becomes strong, or … whatever! While I wanted her to be able to stand on her own two feet, I didn’t want it to be for some kind of feminist or politically correct agenda; I just thought that would be the most realistic way of depicting her given what she has to go through in the story.

Like Logan, Aurora spends much of the book trying to figure out the world around her while navigating the challenges of young adulthood – namely figuring oneself out and finding love. This is, of course, something that all teenagers go through. It was this awkward mix of yearning, anticipation, and reckless abandon that I hoped to capture. Unfortunately, it took me about sixteen years to finally get it to where I was satisfied with it, but that, to me, was more important than any of the adventure parts of the story.

There are a few writers out there I’m aware of that have captured the world of the adolescent well – novelist Cynthia Voigt (Homecoming, A Solitary Blue, Jackaroo) and screenwriter John Hughes (Sixteen Candles, Pretty in Pink, Some Kind of Wonderful) come to mind – and it strikes me now that one of the most critical things you can do for a teenager is let him or her know that – hey, you know what, there’s someone out there who gets you, who remembers how lousy it can be, and despite all the eye rolling and grunts you might give, is going to hold you to a higher standard and isn’t going to talk to you like you’re a three year old while doing it. Of course, I didn’t understand or care about any of that then; I wrote the first draft of The Thirteenth Hour when I was a teenager. But the nice thing about having written the story when I did was that it gave both me and the characters time and space to grow. It often seemed that as got older, I got to know them better and better. I might even go so far as to say that we all kind of grew up together. So in many ways, The Thirteenth Hour is less about the physical journey that the characters take and more about the journey they take from children to adults.

 

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-Website: 13thhr.wordpress.com

-Art: 13thhr.deviantart.com/gallery

-Book Trailer: https://www.youtube.com/watch?v=hpcIUpwTiFY

-Free itunes podcast of the book: https://itunes.apple.com/us/podcast/the-thirteenth-hour-audio/id955932074

-Read free excerpts at https://medium.com/@13thhr/in-the-army-now-852af0d0afc0 and the book’s amazon site.

How “The Thirteenth Hour” Began

I wrote  the first draft of The Thirteenth Hour the summer after I graduated from high school.  Writing it took about two months.  I remember it being a kind of pressured process; I had all these ideas floating around in my head, and it was almost a relief to get them down on paper just so they were somewhere else.  I didn’t think about publishing it and can’t say I had a specific audience in mind other than myself – it was simply a story that I wanted to read but had never quite found.

While I was writing the first draft, I drew pictures in a sketchbook, some of which ultimately made their way into the finished version of the novel.  Because I had created a whole world in my head by that point, text alone didn’t seem like it would be enough.  Some of my favorite books as a child were those that had hand drawn pictures scattered throughout the pages, and I knew I wanted visuals to add to the text.  Actually, what I had really wanted was video – whole scenes that played out like movies with full motion and sound.

I envisioned a sort of book that could be read as any ordinary one – with a cover, paper pages, and so forth, but when it came time for the pictures, the reader could press a button on the page, and a whole movie would play out on a flexible LCD screen built right into the page.  Of course, nothing like that existed then (and still doesn’t, as far as I know), so I had to settle for static, drawn pictures.  Although there were people doing digital art at the time, for the most part, that was still pretty new, and I didn’t know much about it, so stuck to traditional pencil and pen on paper.  However, I did use a scanner, which was fairly new technology (at least for our family), to import my pictures into the text.

At the end of the summer, I printed the manuscript out double sided in book-sized pages, made a cover, and bound it so it looked like a book.  I remember it being under 200 pages.  I showed it to my family, my first test audience, who read it and suggested I publish it one day.  It would be years before I would seriously consider it, but at that moment, I was content to hold that finished product in my hands, knowing that it was something I had created.

As I’ve grown older, I’ve come to appreciate the satisfaction that comes from having your work look different at the end than it does in the beginning.  It’s not something that happens in a lot of work we as humans do, because frankly, sometimes, at the end of the day, there is no difference, or things look worse, and you wonder why you bothered.  But at the end of that summer, I didn’t really know all that yet.  I just knew that it was a great feeling to have finished something I had wanted to do for so long.  Of course, that was just the beginning, but it’s what carried me forward in all the iterations, editions, and additions that the book has had since then.

 

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-Website: 13thhr.wordpress.com

-Art: 13thhr.deviantart.com/gallery

-Book Trailer: https://www.youtube.com/watch?v=hpcIUpwTiFY

-Free itunes podcast of the book: https://itunes.apple.com/us/podcast/the-thirteenth-hour-audio/id955932074

-Read free excerpts at https://medium.com/@13thhr/in-the-army-now-852af0d0afc0 and the book’s amazon site.