The Thirteenth Hour Podcast #124: The Robocop Show (30th Anniversary Tribute with Jeremy and Brent Simon)

Episode #124: The Robocop Show (30th Anniversary Tribute with Jeremy and Brent Simon)

https://archive.org/download/Podcast124RobocopShow/Podcast%20124%20Robocop%20Show.mp3

Last show of the year! Happy holidays! Brent Simon and my brother, Jeremy, came on the show this week to cap off 2017 to mark the 30th anniversary of the 1987 film, Robocop.  We also touch on the recent remake and a number of other things from the era, like some Saturday morning cartoons (there was a trend of making kids’ cartoons out of hyper violent 80s action films, like Conan, Chuck Norris flicksRambo, and, of course, Robocop – click on the highlighted links or the pics below for youtube clips of the show intros).

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The original Robocop was an interesting film in many ways since it was sort of aimed at kids … yet not (in that it was over the top violent and barely squeaked by an R rating)! However, robots were all the rage at the time.  Kids, adults, we all loved them.  Remember that this was the age of super robots cartoons (Transformers, Gobots, Robotech, Voltron, M.A.S.K., and a skew of others, mostly from Japan that didn’t get as much exposure here in the US) and ones in films like Star Wars, Short Circuit, and Terminator.

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We also covered a number of Robocop spin offs, like the games and some crossover comics.  Jeremy, who has encyclopedic knowledge of comic books and is behind the Classic Batman Panels Instagram page, contributed a lot of great info on the show about comic crossovers (many of whom were published by Dark Horse), including the Robocop / Terminator miniseries written by Frank Miller.

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Of course, one must check out the AVGN videos on the games spawned by the Robocop franchise.

The originals for the NES looked pretty shite.  In this epsiode the AVG Nerd also comments on the interesting 80s/90s phenomenon of making kids games’ out of R rated movies.

The Robocop v Terminator SNES game looks like it might have been ok to while away a few hours.

I originally intended to purchase a used gas blowback airsoft replica of Robocop’s auto 9 machine pistol on eBay for the show and include a video clip of it letting loose like in the movie but decided against it when I saw the price tag. 🙂   Ganking a clip off youtube was much cheaper!

(The auto 9, as a heavily modified Beretta 93R, doesn’t actually exist in real life, so a replica is the closest you can get if you want to legally own something like in the movie.  Even so, a gas blowback airsoft pistol will still set you back ~200 USD.  If you are in the States, a retailer like Airsoft Atlanta is a good option, and you won’t have to pay international shipping charges.  However, the latter may be worth it in some cases.  The HK retailer Redwolf Airsoft has a good selection and generally reasonable prices.)

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This pixelart animation of Lara Croft for the Tomb Raider game I intended to make once upon a time shows her shooting an auto 9.

Find more Brent Simon here (parts 1 , 2 , and 3 here) or on Jeff Finely‘s channel (below, Brent’s interview and Jeff’s – they were both multipart episodes, and Jeff compiled them into these videos):

A day in the life of Brent Simon, “The Brentumentary,” done by Jeff, and Brent current project, Aerial Focused.

Giveaway:

Nirvana Pilot Yume is a recently release PC game now available on Steam created to answer the question: what happened if the 1993 space racing MS-DOS game, Skyroads, were a visual novel with 80s anime visuals and a synthwave soundtrack?

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The team who created it, Dev9k, came on the show last week (12/18/17) to talk about their influences and have graciously supplied a free copy of the game for a lucky entrant into this contest!  It will go on until next week. 

Happy holidays.  See you in the New Year!

CLICK HERE TO ENTER

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Between Two Worlds, the synth EP follow up to Long Ago Not So Far Away is now out for streaming on Bandcamp.  

The bonus track, called “Flight of the Cloudrider” has a 80s movie mashup music video (see if you can identify all the movies!) which is available on youtube.   This app was largely created with the iphone app Auxy.

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Stay tuned.  Follow along on Spotify!  There is also a growing extended Thirteenth Hour playlist on Spotify with a growing number of retro 80s songs.

Check it out!

As always, thanks for listening!  Thanks for coming on the show, Brent!  It was a pleasure!

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The Thirteenth Hour Podcast #117: “Born Again” and The Man Without Fear

Episode #117: “Born Again” and The Man Without Fear

https://ia601509.us.archive.org/30/items/Podcast117_201711/Podcast 117.mp3

When I was a kid, I really wanted to like comic books.  I really did.  But I ended up having about as much luck with them as I did with fantasy novels – meaning that, aside from a few isolated one-shot deals, it was a mostly a miasma of confusion and disappointment.  Of course, I had a few tattered Spiderman and Superman comic books, but for the most part, I didn’t have the fainted idea what was going on in them.  I’d mostly just look at the pictures and sort of guess what was happening since I was usually missing part 1 of whatever story arc it was and probably only had issue 3/7, like how someone who doesn’t understand the language might feel when watching a film without subtitles … one can appreciate the art … but everything else is kind of a gamble.

There were a few notable exceptions, though – Dave Stevens’  The Rocketeer and the only Daredevil comic I had a kid, a collection of stories in an arc dubbed “Born Again.”  Ripe with heavy Christian symbolism (sacrifice, redemption, Armageddon) and rendered in mostly dark primary colors depicting a grim and seedy vision of pre-gentrification NYC, writer Frank Miller and artist David Mazzucchelli created a world that you didn’t exactly want to inhabit, but like watching a train careen into a mountain, man, oh man, you couldn’t look away from, either.

In today’s episode, I reflect a little on this fine example of storytelling.

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Daredevil, sans costume, takes on one of the Kingpin’s enforcer’s trying to ventilate him.  Nice kick!  Time to visit the dentist …

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I read this story around the time I was starting martial arts and liked that it included some martial arts techniques for Daredevil, here fighting an impostor in his costume).    Another nice side kick above and a variety of spearhands below:

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At the time, when reading this story, I had no idea Daredevil was blind and always marveled at how he managed to not kill himself jumping all over the place.  I guess that is why he is the man without fear.

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I thought this quote was the coolest thing as a teenager.

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At their very core, superhero stories laud the best and worst of humanity.  But while they serve as idealistic examples of wish fulfillment, it can be hard to relate to a superhero. By making him fall to new lows, this comic did a great job making Daredevil into a relatable human being.  It’s symbolic he spends most of the story arc without his trademark costume and that the last page shows him as a regular guy walking down the street.  For those of us who haven’t quite fallen to those gritty depths, there is still hope.  Maybe that means we then have something to lose and thus, something to fear.  But in a world where danger seems to lurk around every corner (if you believe what the news says), feeling no fear may not be realistic or even prudent.  But it doesn’t mean we can’t put our best selves forward, one foot in front of the other, and at the very least, fake being unafraid.  In the end, who can really tell the difference?

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Between Two Worlds, the synth EP follow up to Long Ago Not So Far Away is now out for streaming on Bandcamp.  

The bonus track, called “Flight of the Cloudrider” has a 80s movie mashup music video (see if you can identify all the movies!) which is available on youtube.   This app was largely created with the iphone app Auxy.

between 2 worlds EP cover 2

Stay tuned.  Follow along on Spotify!  There is also a growing extended Thirteenth Hour playlist on Spotify with a growing number of retro 80s songs.

Check it out!

As always, thanks for listening!

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