The Thirteenth Hour Podcast #148: Fairy Tales Aren’t Just For Kids

Episode #148: Fairy Tales Aren’t Just For Kids – A TED-Style Talk for Former Kids on Creativity, the Transition to Adulthood, and What Gets Lost in Between

https://archive.org/download/Podcast148_201806/Podcast%20148.mp3

A few weeks ago, I had the opportunity to give a short talk at Mondragon Books, an independent used bookstore in central PA.  They were kind enough to offer to carry some of my books and music and have been trying to have more author related events at their store.   The thing about a lot of author events, though, is that they’ve always seemed pretty self indulgent.  Sure, of course you’re interested in what you do, but in my opinion, inviting people to listen to you talk about yourself has always seemed like a snooze fest, so I decided to talk about something everyone grapples with sooner or later – the the transition to adulthood and the inevitable changes that entails in regards to the pursuit of creativity.   This episode is a version of that talk.

From a creative perspective, childhood is often ripe with opportunities to express oneself creatively.  Unfortunately, as we get older, those opportunities gradually narrow unless we actively choose a creatively-minded career or specifically make time for them.  Often, the message we are given is that we’ll never make a living doing something creative, so if we really want to do those things, we can do them “in our spare time,” as Keith, the teenage protagonist from the 1987 John Hughes-penned movie, Some Kind of Wonderful, hears from his father.

So my hope is that this talk will get people thinking and inspire them to reclaim these lost aspects of childhood if they so desire.  I use the analogy of fairy tales, since they’re stories that we typically associate with childhood, but, in actuality, have a lot of lessons that adults can benefit from, too.   For example, fairy tales often have happy endings, which help us believe in a better tomorrow.  Fairy tales also tend to invoke the hero / heroine’s journey, which reminds us that big dreams often require some level of personal sacrifice and persistence in order to accomplish.  All of these things are great to keep in mind when it comes to giving voice to our own creativity, especially amid the hard, mundane realities of day-to-day adult life.

Sometimes talks of this nature are mostly theory, given by folks who are no longer in the position to juggle various commitments.  But I can say that it’s something I basically took from my own life and put into a short talk.  As someone who spends a good majority of his time juggling between being a husband, a father to small children, and maintaining a busy day job, making time for the creative aspects of my life is a constant challenge. You see the results here, but it requires a daily commitment to feed the muse.

I wrote this little essay back in 2015, not long after the birth of my daughter, when I initially (mistakenly) assumed that staying home to take care of her would allow me more time to write (nope … though it did require me to take advantage of every spare minute I had – something I continue to use today).

When I was twelve, I wanted nothing more than a Swiss Army knife. My father had one, and I used to marvel at all the tools that fit in the compact package. Years later, I still marvel at its attempt to “do it all.” But sometimes, a stand-alone knife or can opener just does the job better.

So when I told colleagues that, over the next year, I wouldn’t be working much, instead devoting the majority of my time to caring for our newborn daughter, deep down, I wondered if I’d end “Swiss Army knifing” it. People had mostly supportive words. Of course, there were some puzzled looks and occasional sarcastic or condescending comments, but what I didn’t expect were the rare, wistful silences (generally left by men), followed by, “I wish I’d taken more time to do that.”

Time, that ephemeral commodity. Before the baby came along, I joked with my wife about what I’d do if I were a stay-at-home husband. I’d water the plants. I’d do aerobics in front of the TV like it were 1982. And I’d finally have time to write.

It wasn’t all jest. Even after the baby came and all evidence suggested otherwise, I still maintained the delusion that when the baby slept, I’d really, truly have time to write. And so it was – except those stretches of quiet lasted a total of forty to sixty minutes a day if I were lucky. Amid all the baby and home related tasks, writing was the last on the list. On the days I worked, I’d go in after my wife and I had done the baby handoff and finish in the wee hours of the morning, so zero writing got done those days. And when the baby woke up in the middle of the night, or at least by at five or six the next morning, I was reminded why my mother was always tired.

Single parents have now assumed epic status in my mind. I’m lucky that my wife takes over in the evening. But despite everything, I look forward to each new day. Seeing my daughter’s smile, her waddling, ataxic steps, and the first gleams of mischief in her eyes make up for the times poo plopped out of the diaper and landed on the floor instead of in the toilet. I understand why those men said they wished they could’ve had more time to watch their children grow. Because I wish for the same. No time is ever enough.

Those naps did eventually add up over a year. I coalesced some of these thoughts into a poem and reworked pictures from one of my novels to create a little book for my daughter, which I’ll give to her this Christmas. I’m sure one of the first things she’ll do is take a bite out of the pages. And I’d like nothing more than to be right there to see her do it.

Thanks to Mondragon Books for hosting me.  Check them out if you happen to be in the central PA area or on Facebook or Instagram.

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Between Two Worlds, the synth EP follow up to Long Ago Not So Far Away is now out for streaming on Bandcamp.  

The bonus track, called “Flight of the Cloudrider” has a 80s movie mashup music video (see if you can identify all the movies!) which is available on youtube.   This app was largely created with the iphone app Auxy.

between 2 worlds EP cover 2

Stay tuned.  Follow along on Spotify!  There is also a growing extended Thirteenth Hourplaylist on Spotify with a growing number of retro 80s songs.

Check it out!

As always, thanks for listening!

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Writing the Main Characters

My brother once asked me if the characters in The Thirteenth Hour were based on myself. I don’t think so, at least not on purpose. I suppose every writer injects some of himself in the characters that he creates, but I didn’t set out to do this consciously, although I no doubt suspect that there were plenty of unconscious contributions.

The character of Logan was somebody I envisioned as being unassuming and initially kind of naive, not yet possessing the confidence that comes from having more experience in life. Despite losing his parents at a young age, I want to portray the rest of his childhood in as secure a way as possible. I think there’s sometimes a stereotype to portray institutions like orphanages as evil, bureaucratic places that are understaffed, underfunded, and poorly run. And while there are no doubt some places like that, I wanted to paint a better picture for Logan’s childhood environment in order to give him the kind of consistent, safe, caring support that I thought he’d need to equip him for the challenges that he would face in the story. I also wanted him to be someone that spoke to the reader in an honest, sometimes irreverent way, kind of like an adult who’s looking back on his life but has a good idea what it still is like to be a kid (although I didn’t specifically think of it at the time, the narrators from The Wonder Years, Stand By Me, and The Christmas Story do this quite well). I thought it important that he not take himself too seriously, because let’s face it, there are a lot of lousy, humiliating things that happen to everyone when they’re kids that seem a lot funnier years later.

If you’ve read the book, you know that the Logan narrates the majority of the story interspersed by sections told by Aurora. She was not based on anyone in particular, but rather a compilation of characteristics that I thought would make her an interesting independent character yet a good friend and partner to Logan. The creation of young adult female characters has always seemed a bit more loaded than the creation of their male counterparts. I’ve often gotten the impression that some authors write their female characters with some kind of agenda in mind; instead of it just being a story about a human that happens to be female, it’s a story about a woman who is strong, or a woman who is not strong, or a woman who is not strong and becomes strong, or … whatever! While I wanted her to be able to stand on her own two feet, I didn’t want it to be for some kind of feminist or politically correct agenda; I just thought that would be the most realistic way of depicting her given what she has to go through in the story.

Like Logan, Aurora spends much of the book trying to figure out the world around her while navigating the challenges of young adulthood – namely figuring oneself out and finding love. This is, of course, something that all teenagers go through. It was this awkward mix of yearning, anticipation, and reckless abandon that I hoped to capture. Unfortunately, it took me about sixteen years to finally get it to where I was satisfied with it, but that, to me, was more important than any of the adventure parts of the story.

There are a few writers out there I’m aware of that have captured the world of the adolescent well – novelist Cynthia Voigt (Homecoming, A Solitary Blue, Jackaroo) and screenwriter John Hughes (Sixteen Candles, Pretty in Pink, Some Kind of Wonderful) come to mind – and it strikes me now that one of the most critical things you can do for a teenager is let him or her know that – hey, you know what, there’s someone out there who gets you, who remembers how lousy it can be, and despite all the eye rolling and grunts you might give, is going to hold you to a higher standard and isn’t going to talk to you like you’re a three year old while doing it. Of course, I didn’t understand or care about any of that then; I wrote the first draft of The Thirteenth Hour when I was a teenager. But the nice thing about having written the story when I did was that it gave both me and the characters time and space to grow. It often seemed that as got older, I got to know them better and better. I might even go so far as to say that we all kind of grew up together. So in many ways, The Thirteenth Hour is less about the physical journey that the characters take and more about the journey they take from children to adults.

 

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-Website: 13thhr.wordpress.com

-Art: 13thhr.deviantart.com/gallery

-Book Trailer: https://www.youtube.com/watch?v=hpcIUpwTiFY

-Free itunes podcast of the book: https://itunes.apple.com/us/podcast/the-thirteenth-hour-audio/id955932074

-Read free excerpts at https://medium.com/@13thhr/in-the-army-now-852af0d0afc0 and the book’s amazon site.