The Thirteenth Hour Podcast #248 and Like a Hood Ornament 8 – My Brother Jeremy Comes on the Show to Discuss DnD Alignment of Thirteenth Hour and Rocketeer Characters!

Episode #248 – My Brother Jeremy Comes on the Show to Discuss DnD Alignment of Thirteenth Hour and Rocketeer Characters!

https://archive.org/download/podcast-248/Podcast%20248.mp3

This week, my brother Jeremy joins the show to discuss Dungeon Dragons alignments of characters in The Thirteenth Hour books and in The Rocketeer.  Read more about Jeremy’s response about fantasy races and alignment here.

You can find these alignment charts around on the internet, and while some of those were probably done as fun or funny memes, the concept of figuring out a character’s alignment along good vs. evil, lawful vs. chaotic, and neutral vs. not helps to develop a character and make him or her more fleshed out and 3 dimensional in terms of psychological motivation, so it can be a useful tool for a writer, even if you’re not a DnD player.

Here are the ones we discussed as well as some unofficial archetypes (“knight, judge, etc”) I found for each online.  You may disagree, as there’s a lot of subjectivity in what makes a character fit a certain alignment (Image made via this site: https://imgflip.com/memegenerator/73659174/Alignment-Chart), but that’s part of the fun of the discussion.

Thirteenth hour alignments

Lawful Good – “The Knight” – like Jake, the unofficial leader of the Imperial Rangers in The Thirteenth Hour and Empty Hands.  He is by-the-book, rule abiding, believes in the hierarchical structure of the military, and a stand up, straightforward guy who takes his job and unofficial leadership position seriously.  Picture from Empty Hands.

Lawful Neutral – “The Judge” – no picture from the book, but probably many of the Imperial Army soldiers might fall in this category.  They are there to do a job, whether they agree with it or not.  The Head General believes in maintaining the order and the rank hierarchy of the military.  He believes in following protocol and in protecting his men and the military budget but is not above a little bribery from the King, who he does not especially respect but still follows (since its his job).

Lawful Evil – “The Overlord” – King Darian is the narcissistic, spoiled monarch of Tartec that decides that he wants to live forever and creates a whole plan to send members of his military to the ends of the Earth so he can get what he wants.  He wheedles, bribes, and complains his way into getting what he wants, and when that fails, he is not above threats and the wanton loss of life if it serves his own means.  However, as the King, he does believe in law and order as a well a certain religious scrupulosity to serve social order.  Picture from The Thirteenth Hour.

Neutral Good – “The Hero” – Aurora is a kind, warm, good-hearted person who believes in following one’s dreams, even if they don’t necessarily align with societal norms.  At the start of The Thirteenth Hour, she is a 19 year old, single female who never knew her parents (to her knowledge) and was raised in an orphanage, which provided a good chunk of stability and allowed her some shelter from societal norms for young women of her village (marriage, childbearing, homemaking – all of which she considers boring).  Because of that or because she would have always been an independent thinker, ideas around what is expected, good, or bad, are somewhat subjective to her.  Picture from The Thirteenth Hour.

Neutral Neutral / True Neutral – “The Outsider” – there aren’t a lot of characters in The Thirteenth Hour that fit this alignment, though some of the animals in the story probably would fit, like sea serpents and dragons.  They are separate from the whims and politics of mankind, and while they may attack, destroy, and kill, they are generally doing so since their territory has been invaded, the same way any animal might defend its turf.  The dragon picture was from The Thirteenth Hour.

Neutral Evil – “The Villain” – while the character Klax is a more sympathetic villain than he might have been, there’s no doubt he isn’t an especially nice person – he imprisons Logan and Aurora to fulfill his own desires, he is physically, verbally, and mentally abusive to both characters, and holds a long standing grudge against his biological brother, so the thirst for revenge, even at the expense to others, motivates a lot of his actions.  Age has somewhat softened his resolve and hatred, and he does have some fairly well defined goals in mind, leading him to have some fairly liberal internal guidelines about what is acceptable vs. not.  Picture from The Thirteenth Hour.

Chaotic Good – “The Rebel” – while Logan could also fit in the neutral good category, he leans a little more heavily towards the chaotic side, since, like Aurora, societal norms and (some) laws seem subjective and relative to him.  Like Aurora, he was raised mostly in an orphanage, which provided (ironically) a higher level of education that some of this peers, since both he and Aurora were never adopted.  He spends what free time he has dreaming and thinking, and that, plus a naturally curious mind, means that to some degree, he marches to the beat of his own drummer.  In Empty Hands, he aligns with the “void” element, suggesting that he tends to pull from the other elements (earth, water, wind, fire) intuitively and is not locked into one or another.  Picture from The Thirteenth Hour.

Chaotic Neutral – “The Nomad” – one of the Imperial Rangers in The Thirteenth Hour and Empty Hands, Aron, kind of fits this category.  While he can have his moments (like when he comes up with a plan to row into the open water to distract an attacking sea serpent), he does not follow any particular vision or moral code for himself and tends to respond to whatever thought or urge passes through his mind.  As a result, he is quite impulsive with a short attention span, so ideas (like the sea serpent plan), tend to fairly superficial.  He enjoys gambling, though it’s a punishable felony in the military, but would probably do better if he could keep his pride in check.  While naturally athletic, his fighting style has more flash than substance and can be unpredictable, which makes it hard for his teammates to be able to depend on him.  Picture from Empty Hands.

Chaotic Evil – “The Psychopath” – there really isn’t anyone in The Thirteenth Hour books that fit this alignment, as even Klax and Darian have their scruples.

Let’s try the same exercise with the characters from the Rocketeer universe.

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This little animated .gif is, of course, from the point in the movie where the Rocketeer, not above a little self conscious vanity, asks how he looks.  Peevy, not above a little blunt honesty, says “Like a hood ornament!”  The Rocketeer blasts off for the first time, Peevy gets blown backwards into the hangar, and I get a name for this part of the podcast!

rocketter alignments

Lawful Good – “The Knight” – pictured is agent Fitch, a FBI agent working to recover the stolen rocketpack for Howard Hughes, its inventor in the film.  I debated who would best fit this category but figured that the police and FBI agents involved were doing what they thought was right (recovering stolen property, upholding the law), and mainly were antagonists to Cliff because he was essentially stealing / borrowing someone else’s property and refusing to give it back.  While they’re seen as foils to the hero in the film, they’re upholding what they feel are societal norms.  While they could slap many more charges on Cliff, in the end, they don’t, making them decent enough folks in my book.

Lawful Neutral – “The Judge” – I wasn’t sure who exactly to put there but figured that like the G-men, the German stormtroopers were also just doing a job.  While the individual soldiers may not have agreed with the mission, the German WW2 agenda, or the Nazi party line, they were following orders from a superior.  It wasn’t their job to question whether it was right or wrong, and if asked to fight, that’s what they were supposed to do.  Although Germans are usually put in the villainous category in WW2 movies made in former Allied countries, there were probably plenty who were just fighting for their country like anybody else but just happened to be on the losing side of history, which is obviously subjective depends of who writes it.  The aircrew of the German zeppelin could also fit this alignment.

Lawful Evil – “The Overlord” – Eddie Valentine, the crime boss in the film tasked with the “snatch ‘n grab” job of retrieving the rocketpack for actor Neville Sinclair fits this alignment.  While he operates on the wrong side of the law, he tries to run his syndicate as a businessman, with his arms in the operations of a swank LA nightclub, the South Seas Club, and seems to be fair to his men.  We also find out at the end of the film he has his own personal code – “I may not earn an honest buck, but I’m 100% American.  I don’t work for no two-bit Nazi.”

Neutral Good – “The Hero” – Jenny Blake is an aspiring actress in the film (Betty was her name in the comic, where instead of an actress, she was a glamour model like her namesake, Bettie Page).  Like Aurora, she is an independent thinker and can take care of herself, though doing so may put her at odds with the establishment and/or convention.  Although it ultimately isn’t a successful ruse, she uses guile to lure Neville Sinclair close enough to knock him out by hitting him with a flower pot, enabling her to sneak into his secret room, try to call for help, and snatch the rocket plans that Lothar had stolen from Peevy.  Not exactly the actions of  the truly lawful, but certainly not the actions of someone in the story “to just do a lot of screaming” (to paraphrase something Aurora said).

Neutral Neutral / True Neutral – “The Outsider” – Howard Hughes, the Cirrus X-3’s creator, marches to the beat of his own drummer but is beholden to no one but himself, as he has the funds, skills, and resources to be able to cooperate at his own discretion, as he mentions to the military brass at one point.  While he helps Cliff, you get the sense he is doing so for his own reasons.  He may lean toward the good category at times, given his natural scientific curiosity and mistrust of government intervention (“your gentlemen in Washington want to turn anything that flies into a weapon!”), leading him to be protective of those working under him.  There is a character in the comic called Jonas (an ode to the Shadow) who seems quite similar.

Neutral Evil – “The Villain” – Lothar in the film, Neville Sinclair’s giant of a henchman, while just doing a job, seems to have some sadistic methods (breaking people in half, twisting them into pretzels).  He’s a bit different in the comic book, but in the film, he seems cruel, putting him in the evil category.  If you have any doubt, look at his expression when he encounters Cliff and Jenny (both unarmed) on top the zeppelin.  He whips out a switchblade and cackles as only a bona fide villain would.  He is, however, operating for a paycheck, and I somehow doubt he would care one way or another about the rocketpack if not being paid.

Chaotic Good – “The Rebel” – like Logan, Cliff, is an inherently good-hearted person who sometimes gets in trouble inadvertently or bumbles his way through things.  He is more hot headed in the comic book than in the film, but even there, spends much of the film evading the law.  You get the sense that while he might not naturally be the kind of person who deliberately chooses to be the hero, he doesn’t hesitate to put himself in the line of fire to help other people if the situation calls for it.  You also get the sense that if you were in his shoes, you’d be feeling a lot like him.  He was one of my main influences for creating Logan’s personality in The Thirteenth Hour.

Chaotic Neutral – “The Nomad” – in the comic book, Lothar is somewhat of a tragic figure.  While he serves as a villain, he is doing so out of revenge.  He doesn’t hesitate to break the law in his relentless pursuit of people who he thinks were involved in a past crime which turned him against the world.  However, he seems to act mostly out of his own independent, free will, even if misguided, making him quite different from the movie version of his personality.

Chaotic Evil – “The Psychopath” – I debated giving Neville Sinclair this alignment, but his actions in the latter part of the movie show his truer colors, and not only does he break multiple laws and societal conventions, but he is pretty unpredictable, turning suddenly on people he formally allied with.  Not to mention he drugs Jenny and tries to take advantage of her, making him one of *those* Hollywood guys.  Definitely evil.

Agree or disagree?  Comment below if you are so inclined!

Stay tuned for more Rocketeer talk next week!  Stay safe!

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There are now Thirteenth Hour toys!  If you’d like to pick up one of these glow in the dark figures for yourself, feel free to email me or go to the Etsy store I set up (https://www.etsy.com/shop/ThirteenthHourStudio) and get them there.

If you haven’t checked out “Arcade Days,” the song and video Jeff Finley, Brent Simon, and I finished one year ago, click on the link below to do so!

You can find more pictures and preview clips of “Arcade Days” on IG as well as this podcast’s FB page.

Empty Hands, the synth EP soundtrack to the novella, Empty Hands, is now out for streaming on Bandcamp.  

empty hands ep cover_edited-2.jpg

Stay tuned.  Follow along on Spotify!  There is also a growing extended Thirteenth Hour playlist on Spotify with a growing number of retro 80s songs.

Check it out!

As always, thanks for listening!

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The Thirteenth Hour Podcast #247 – Collaboration with Jeremy Lesniak from Whistlekick on the Ladder Fight from Jackie Chan’s First Strike and Like a Hood Ornament 7 – Cliff Fights a Giant and Survives!

Episode #247 – Collaboration with Jeremy Lesniak from Whistlekick on the Ladder Fight from Jackie Chan’s First Strike and Like a Hood Ornament 7 – Cliff Fights a Giant and Survives!

https://archive.org/download/podcast-247/Podcast%20247.mp3

This week, Jeremy Lesniak from whistlekick.com rejoins the show as we do another fight scene analysis of the famous ladder scene from the film, First Strike.  You can listen to a similar version of this episode on Jeremy’s show as episode 497.

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It’s a great example of the use of everyday items that can be used as weapons of self defense.  There’s a little scene in The Thirteenth Hour interlude, Empty Hands, that discusses this very idea:

After we’d finished for the day, I eyed the wall of weapons.  Frankly, I wasn’t especially attached to any of them.  Not the way Aron was to the sickles or Lance to the sword.  In fact, the idea of cleaving someone open with a bladed weapon and seeing their tortured expression was nauseating.  I’d grown up around bows, since they were tools to put meat on the table, and while the Army ones were nicer and more powerful than the rough ones people in my village had used, I didn’t think of them much differently than, say, rakes or fishing poles.  The only one I’d taken any interest in was the sling, and that was only really because in order to use it, we had to go hunting for smooth stones to use as ammunition.  The stones reminded me of one of my favorite pastimes as a child – skipping rocks over the water – though my accuracy was so horrendous that I might as well have thrown the damn things. 

The only weapons exercise I actually enjoyed didn’t even involve weapons in the traditional sense.  It was a weekly session jointly taught with the wizards where we were given random objects from daily life, like umbrellas, gardening rakes, toothbrushes, and in one case, potted plants.  We then had to defend ourselves from a partner coming at us with a haymaker or an overhand sword strike (supposedly the two most common attacks we would be facing).  You could use whatever orthodox unarmed or magical techniques you wanted to defend yourself … or you could think fast and come up with a creative way to jury rig the household item you were given for your defense.  I was only fair with the unarmed stuff and horrible with magic, but coming up with a new way to use an ink bottle or a folding chair for self-defense was probably the only fun I had in our combat training.  However, that was a very small part of the curriculum, and before long, it was back to more repetitive drills with the sword or spear.

Speaking of a long weapon like the spear, how would you use a ladder if that’s all you had?  Would you spin it around, unfold it, throw it, etc?  Interesting thing to thin about as you watch the clip.  Speaking of which, let’s get to the clip!  We’re watching this scene at 1/4 speed, starting at 3:17 (should load at that time by clicking on the link below).  You can follow along in real time by clicking below:

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This little animated .gif is, of course, from the point in the movie where the Rocketeer, not above a little self conscious vanity, asks how he looks.  Peevy, not above a little blunt honesty, says “Like a hood ornament!”  The Rocketeer blasts off for the first time, Peevy gets blown backwards into the hangar, and I get a name for this part of the podcast!

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This week’s Like a Hood Ornament section is also a fight scene analysis of a short altercation (plays not long after the .gif above) in the 1991 film … starting at 1:00 in.  As before, the clip will be playing in the background with commentating occurring in real time.  Cliff loses his weapon (in this case, a Mauser C96 pistol) and has to improvise – in this case, using his rocket pack to accelerate his flying tackle).

Stay tuned for more Rocketeer talk next week!  Stay safe!

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There are now Thirteenth Hour toys!  If you’d like to pick up one of these glow in the dark figures for yourself, feel free to email me or go to the Etsy store I set up (https://www.etsy.com/shop/ThirteenthHourStudio) and get them there.

If you haven’t checked out “Arcade Days,” the song and video Jeff Finley, Brent Simon, and I finished one year ago, click on the link below to do so!

You can find more pictures and preview clips of “Arcade Days” on IG as well as this podcast’s FB page.

Empty Hands, the synth EP soundtrack to the novella, Empty Hands, is now out for streaming on Bandcamp.  

empty hands ep cover_edited-2.jpg

Stay tuned.  Follow along on Spotify!  There is also a growing extended Thirteenth Hour playlist on Spotify with a growing number of retro 80s songs.

Check it out!

As always, thanks for listening!

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The Thirteenth Hour Podcast #244: Reading from Empty Hands on the Imperial Ranger Uniform and Like a Hood Ornament 4 – Cliff Secord’s Jacket

Episode #244: Reading from Empty Hands on the Imperial Ranger Uniform and Like a Hood Ornament 4 – Cliff Secord’s Jacket

https://archive.org/download/podcast244/Podcast%20244.mp3

This week’s show is about clothing – Logan’s Imperial Ranger uniform in Empty Hands and The Thirteenth Hour as well as Cliff’s jacket in the Rocketeer segment (which inspired the way I drew Logan’s costume).

In the first part of the show, I’m reading from a section of The Thirteenth Hour interlude, Empty Hands, which describes what the Imperial Rangers wore for formal uniforms:

The morning of the Drawing was cool and crisp.  The last vestiges of winter were still apparent, though you could get by without a coat if you were willing to be a little chilly.  For the ceremony, we were supposed to wear our formal uniforms, which we started training in a few days prior.  Unlike many things about the Imperial Army, a lot of thought had gone into Imperial Ranger gear, and although there were no surviving craftsmen who knew how to make Imperial Ranger boots, uniforms, and weapons, enough of the old training manuals had survived that the ones in the castle could learn.  Compared to the stiff, uncomfortable uniforms the regular Army soldiers wore, the Ranger uniforms were fairly well designed.  They were intended to be working uniforms and could look sharp if clean and pressed, but they had both functional and cosmetic purposes due to the Rangers’ multiple roles as soldier, explorer, bodyguard, and diplomat.

As our instructors had said, we did have to move a bit differently when fighting in our uniforms, though not as much as one might have thought.  The pants and shirts were baggy and easy to move in, for instance, and the outer tunic that covered the shirt was flexible but offered protection since it was interwoven with a layer of fine-link chain-mail backed by suede to keep the links from embedding in a wound should the chain-mail break.  It wasn’t as heavy as wearing a full chain-mail shirt, but it offered disguised protection from glancing strikes to the internal organs of the torso.  It wouldn’t stop a point blank shot from a warbow, but then again, there’s a good chance standard plate armor wouldn’t, either.

All this flashed through my head as I raced to get ready that morning.  Unlike most days, there had been no early morning conditioning session, so everyone had slept later.  My bed was in the corner, and I must have continued sleeping as Blake, who had the top bunk, left with the others for breakfast.  When I woke, the position of the sunlight shining in the window let me know immediately that I had overslept, and a glance at the clock in the corner confirmed it was 8:50, meaning I had exactly ten minutes to get to the field where the Drawing would be taking place.  Cursing, I ran to the washroom, took care of my morning business, and rummaged through my locker, searching for a uniform that wasn’t crumpled or malodorous.  I’d hung up my sweaty uniform in the washroom after yesterday’s practice, but someone must have knocked it over soon after, since now it lay in a crumpled, smelly heap on the floor.  We had three each, but my other one smelled even worse, so it took some digging to get to my last one, which was still wrapped in the bag in which it had been issued to me.  I raced out the door as soon as I had it on and ran the whole way to the field where the King would be addressing us for the formal commencement of the Drawing.

I was still late.

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A concept sketch of the Imperial Rangers wearing the uniforms described above.

Another sketch of Logan flying through the air on Lightning wearing the uniform described above.

There’s a little instrumental part to accompany parts of the story where the Imperial Rangers have to march around (in the LP Long Ago Not So Far Away) that is playing in the background during part of the reading.

Speaking of music, I’ve been going through a number of acoustic guitar songs I used to play a lot when I was first learning how to play, since in this time of national quarantine, I try to do music time with my kids as a part of, you know, daddy daycare.  I’ve picked out a few that are more hopeful and positive than the stuff songs are often written about (heartbreak, unrequited love, longing, substance use, and other important adult matters).   Anyway, I’ve included one such song (“If We Hold On Together” from the 1988 cartoon, The Land Before Time), as it was co-written by James Horner, who also did the music for, yes, you guessed it, The Rocketeer.

Today’s Rocketeer segment is also about flying – the Rocketeer’s jacket!

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Today marks the fourth Rocketeer segment as a part of the podcast.  Below are a few previous episodes about the Rocketeer:

Ep 18 on comics (Dave Stevens)

Ep 53 on rewatching the Rocketeer as an adult

Ep 235 on making the resin miniature Rocketeer

This week, we’re discussing Cliff’s jacket – the iconic leather jacket with the front bib making up the front.  Although you can totally buy lots of replica jackets, the origin of the jacket is totally unknown to me.  I have never exactly been able to find where Dave Stevens got the idea for it but have a few guesses about things he may have been influenced by or watched as a kid:

-Commander Cody serials (which you can totally watch on Youtube) – wears a leather jacket; note the similarities to the Rocketeer’s helmet and double barreled silver rocketpack.

Commando Cody | Public Domain Super Heroes | Fandom

Commando Cody was the hero in a 12-episode science-fiction serial ...

-Westerns, like this shot of John Wayne in Horse Soldiers:

This is my new reproduction of the shirt worn by John Wayne in "The Horse Soldiers. Shoulder board insignia IS NOT included with this shirt. John Wayne, Classic Films, Western Shirts, Hollywood Stars, Soldiers, Double Breasted, Movie Stars, Captain Hat, Dessert Games

You can find a similar shirt in many places like (https://www.spurwesternwear.com/p-1125-scully-bib-front-shirt-red.aspx).

Here are some pictures of Cliff’s clothes from the original comic drawn by Dave Stevens (they come from The Rocketeer: The Complete Deluxe Edition).

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You can see a photo above of Dave Stevens on the right trying on a Rocketeer helmet wearing Cliff’s jacket (he used photos of himself as models for Cliff).

This little animated .gif is, of course, from the point in the movie where the Rocketeer, not above a little self conscious vanity, asks how he looks.  Peevy, not above a little blunt honesty, says “Like a hood ornament!”  The Rocketeer blasts off for the first time, Peevy gets blown backwards into the hangar, and I get a name for this part of the podcast!

Stay tuned for more Rocketeer gear talk next week!  Stay safe!

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9c855cfe-2bcf-4f9b-9681-898d80b49e9a

There are now Thirteenth Hour toys!  If you’d like to pick up one of these glow in the dark figures for yourself, feel free to email me or go to the Etsy store I set up (https://www.etsy.com/shop/ThirteenthHourStudio) and get them there.

If you haven’t checked out “Arcade Days,” the song and video Jeff Finley, Brent Simon, and I finished one year ago, click on the link below to do so!

You can find more pictures and preview clips of “Arcade Days” on IG as well as this podcast’s FB page.

Empty Hands, the synth EP soundtrack to the novella, Empty Hands, is now out for streaming on Bandcamp.  

empty hands ep cover_edited-2.jpg

Stay tuned.  Follow along on Spotify!  There is also a growing extended Thirteenth Hour playlist on Spotify with a growing number of retro 80s songs.

Check it out!

As always, thanks for listening!

∞∞∞∞∞∞∞∞

The Thirteenth Hour Podcast #168: Logan’s Fighting Style in The Thirteenth Hour

Episode #168: Logan’s Fighting Style in The Thirteenth Hour

https://archive.org/download/Podcast168_201810/Podcast%20168.mp3

My brother recently bought the game Soul Caliber 6 and was playing around with the character creator, which is quite robust. He ended up creating a number of characters from The Thirteenth Hour (the main protagonists Logan and Aurora as well as one of the antagonists, a wizard swordsman in black armor named Klax – their battle from the book is re-enacted below).

I was pretty blown away seeing the screenshots – just like The Thirteenth Hour had been turned into a game. Jeremy also created characters for Lester and Claudia, the protagonists of our current Dungeons and Dragons campaigns and recorded some CPU controlled mock battles of the characters squaring off against each other to show case each one’s unique fighting style.

The timing couldn’t have been better, since this week’s episode is on the unarmed fighting style Logan learns and uses in The Thirteenth Hour. It’s never really described in great detail in the book, but I intended it to be a system utilizing the naturally hard parts of the body (e.g. knees, elbows, heels of the foot), like you see in muay thai combined with a relatively low center of gravity and an emphasis on economy of movement and stability while still allowing for agility (kind of like what you see in ninjutsu). I spent some time in the book describing the acrobatic exercises the Rangers had to learn, though the emphasis really was on improving body awareness, learning how to fall, roll, and recover from a loss of balance as well as conquer fear. Although Logan uses a wall flip at one point to save himself from turning into a mess smeared on a castle wall, I didn’t anticipate these would be techniques the Rangers would employ in combat (unlike what martial arts movies usually portray). Same with the higher and jumping kicking techniques of martial arts legend … again, although Logan does a spinning hook kick at one point to good effect, it was more because the opening was there and ripe for the taking than anything. It goes along with the philosophy that what you learn should always be more than what you actually might need to use, since (in life and) in fighting, we rarely rise to the occasion – we fall back on something much rougher than what we learned (which will hopefully still be enough).

I envisioned he probably would have done more techniques along the lines of these less flashy strikes, like screenshots from Jeremy’s video showing a lead side punch and a scooping kick to block or intercept an incoming leg:

You can watching the whole narrated video here:

Jeremy’s YouTube channel also has links to all of our D and D videos for your listening/watching pleasure.

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Between Two Worlds, the synth EP follow up to Long Ago Not So Far Away is now out for streaming on Bandcamp.  

The bonus track, called “Flight of the Cloudrider” has a 80s movie mashup music video (see if you can identify all the movies!) which is available on youtube.   This app was largely created with the iphone app Auxy.

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Stay tuned.  Follow along on Spotify!  There is also a growing extended Thirteenth Hour playlist on Spotify with a growing number of retro 80s songs.

Check it out!

As always, thanks for listening!

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The Thirteenth Hour Podcast #151: The Five Elements (“Godai” or 五大) and the Imperial Rangers

Episode #151: The Five Elements (Godai or 五大) and the Imperial Rangers

https://archive.org/download/Podcast151_201807/Podcast%20151.mp3

After my brother and I finished the D and D campaign we’d been playing for the past few months, I started thinking about other elements of Thirteenth Hour lore that I’d largely edited out (mostly in the interest of brevity).  This episode is about the Imperial Rangers, the group of 8 special forces soldiers that are specially trained and tasked to find the answer to eternal life for King Darian IV, who nearly gets assassinated in the recent campaign.  While we know the most about Logan, the main character of the book, the others are also important despite having only brief mentions since they serve as contrasts. I did have other scenes planned that I ended up cutting, so the original idea of having each Ranger with a special ability fitting with their unique personality and physical makeup was only hinted at, never really fully developed.

In this episode, we use a bit of Japanese Esoteric Buddhism as an analogy for the explaining the different alignments the Rangers had. I’m not sure that’s what I had in mind when I originally wrote the story (the idea of different elements was definitely there, since it’s referenced in games like Ironsword and shows like Voltron and Captain Planet – I was familiar with those when I wrote the initial draft of the story at age 19.)  But the godai, literally “big five” from the Japanese esoteric tradition (referenced in texts like A Book of Five Rings) sums up what I was trying to convey more accurately.

Below you can see a quick sketch/watercolor showing the eight Rangers. Their names are color-coded to correspond to their elemental alignment. As you can see, there are five categories: earth, water, fire, wind, and void. There are plenty more details about this philosophy in the book Ninja: Spirit of the Shadow Warrior by Stephen K Hayes; however, here’s a quick rundown.

Earth personality qualities are stable, traditional, and rooted. Water is flowing, changeable, and reactive. Fire is energetic, driven, and explosive. Wind represents growth, freedom, and open-mindedness. Lastly, the void is any one of those four elements that best fits a particular situation and typically goes with creativity, imagination, and things in our experience that we understand intuitively but are difficult to explain – such as spirit, soul, and consciousness. There are more details in the episode about the individual qualities of each ranger and how he fits the elemental color coded in the picture, so I won’t repeat myself here. But the fifth element, often (somewhat problematically) translated as “the void” is the most abstract and amorphous, just like how in the book the fifth “corner of the world” was actually the dream world where the mysteries of life and death finally made sense. Logan is the only one of the eight to make it there and due to his particular makeup, is the one most aligned with the formless form that characterizes the void.

Ironically, as the youngest and physically smallest of the group, Logan ends up having trouble with much of the training and has to spend more time on basic skills than the other seven. As a result, he ends up never really having the time to pick up a specialty, though the flip side is that he actually becomes more well rounded at basic ranger skills than his teammates just due to repetition. I’d originally envisioned a ceremony scene where each ranger was presented with his weapon of choice based on his special talent (I guess the soldier equivalent of finding out one’s spirit animal), and Logan isn’t given anything, which disappoints him and gives his teammates yet another thing to tease him about. In the end, I ended up not including that scene (maybe it will become a short story one day), but the essence of it, that having a special sidearm was less important than utilizing one’s inborn gifts to their fullest potential, was hinted at in the book in a few conversations a confused Logan has with the wizard, Wally. For the other seven men, the weapon served as an extension of themselves, but for Logan, whose greatest assets were creativity, imagination, and persistence, none of those qualities really fit a weapon. In fact, one might say another career choice would have made more sense. Or, another interpretation might be that those qualities didn’t need a physical reminder. However, although those are all things an older Logan would have been able to appreciate, I always imagined that the eighteen year old Logan would have been somewhat jealous that his teammates got something special, and he ended up having to do the same old drills over and over 🙂

An Imperial Ranger “class portrait” showing each ranger with his special talent and weapon of specialization

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Between Two Worlds, the synth EP follow up to Long Ago Not So Far Away is now out for streaming on Bandcamp.  

The bonus track, called “Flight of the Cloudrider” has a 80s movie mashup music video (see if you can identify all the movies!) which is available on youtube.   This app was largely created with the iphone app Auxy.

between 2 worlds EP cover 2

Stay tuned.  Follow along on Spotify!  There is also a growing extended Thirteenth Hourplaylist on Spotify with a growing number of retro 80s songs.

Check it out!

As always, thanks for listening!

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The Thirteenth Hour Podcast #116: A Thirteenth Hour Reading for “The Imperial March”

Episode #116: A Thirteenth Hour Reading for “The Imperial March”

https://archive.org/download/Podcast116_20171030_0127/Podcast 116.mp3

Today, we’re doing a short reading from The Thirteenth Hour accompanied by a corresponding part from Long Ago Not So Far Away, the soundtrack written for the book.  “The Imperial Ranger March,” which is playing in the background, can be heard on the podcast here , where there is more info about the track.  You can also find it on Bandcamp.  There is also a short video you can see on IG.

I used the same theme in a little short video to showcase the throwing of a large sheath knife that reminded of the similarly large sheath knife the Imperial Rangers were issued to clear brush and chop wood:

Imperial Ranger LoadoutWM

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Between Two Worlds, the synth EP follow up to Long Ago Not So Far Away is now out for streaming on Bandcamp.  

The bonus track, called “Flight of the Cloudrider” has a 80s movie mashup music video (see if you can identify all the movies!) which is available on youtube.   This app was largely created with the iphone app Auxy.

between 2 worlds EP cover 2

Stay tuned.  Follow along on Spotify!  There is also a growing extended Thirteenth Hour playlist on Spotify with a growing number of retro 80s songs.

Check it out!

As always, thanks for listening!

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The Thirteenth Hour Podcast Musical Interlude – “The Imperial Ranger March”

The Imperial Ranger March:

https://archive.org/download/Songs_201608/TheImperialRangerMarch.mp3

The marching music of the Imperial Rangers, the special unit of soldiers from The Thirteenth Hour.  Logan, the main character, is chosen to be among their lofty ranks, though he feels entirely out of place and incompetent most of the time.

It’s a pretty simple melody, played in the key of C, and there are no lyrics, so ready for some interpretative bull caca?   Here goes:

… the deep, rhythmic, ominous bass line represents inevitable conformity needed to subsist in a hierarchical organization like the Imperial Rangers, responsible for carrying out a narcissistic King’s irrational demands.  Its pulsing thrum contrasts with the much softer flute melody, which still features prominently enough to be clearly heard amid the noise of societal influence.  The melody stands alone but marches to its own tune, representing Logan attempting to find his way in an unfriendly world, echoing the conflict between individual rights and those of a nation with the power to conscript citizens and demand sacrifice in the name of patriotism.  In the end, Logan finally comes to terms with these struggles and, in so doing, becomes his own man, signified by the trumpets sounding over the last stanza …

I learned how to write this kind of shite in college.

You can find the track in high fidelity here along with the other tracks in the growing soundtrack. Go to @the13thhr.ost for more updates and info on soundtrack influences.

imperial rangers

The Imperial Rangers in 8 bit form for the unfinished The Thirteenth Hour game (Logan is at the far left, trailing behind).

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